Featured Work
Raw
Film
My role for this film included recording foley, sound mixer and sound designer. This film demonstrates my ability to use volume and contrast as a way to create stronger impacts to certain scenes.
Dolby Atmos Demonstration
This project exemplifies my surround sound knowledge. It emphasizes my ability and education when it comes to Pro Tools workflows, larger theatre-sized mixes, and my automation capability. It also shows my creativity as this sound design was created from scratch without a video. I recommend headphones!
For this film I am credited as the sound mixer and the sound designer. This is a work from early in my development as a sound designer. Since this film, I have gained much experience and honed many of the skills needed for this field.
Infamous Last Words
Film
Papa Piñata
Film
I am credited as the sound mixer, boom operator, and sound designer for this film. The film highlights my ability to complete all forms of sound design and recording, from on set mixing to foley to dolby atmos surround sound mixing.
We're Alive: Descendants
Audio Drama
In this published audio drama, I am credited for work on Season 2, Episode 18 (released October 2025). My contributions included sound design and sound effects for a 15-minute sequence consisting of a car moving through a wooded area and a hill, monsters surrounding the car, and slow-motion gunfire.
Other Work
“Last Moments of Light” 2024
“Judgement Day” 2024
“Study Break” 2024
“Threshold” 2025
“Ofelia Salieri” 2025
“Interview” 2025
“Praise be to God” 2026
“The Interview” 2026
"Pan Dulce" 2026
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