The Christ
Audio Drama
This published audio drama consisted of over an hour of run time. I did voice cutting, editing, and mixing of 20+ characters on episodes one and three where I am credited as the sound designer and editor. I am also credited as the script supervisor for all four episodes.
Featured Work
Raw
Film
My role for this film included recording foley, sound mixer and sound designer. This film demonstrates my ability to use volume and contrast as a way to create stronger impacts to certain scenes.
Dolby Atmos Demonstration
This project exemplifies my surround sound knowledge. It emphasizes my ability and education when it comes to Pro Tools workflows, larger theatre-sized mixes, and my automation capability. It also shows my creativity as this sound design was created from scratch without a video. I recommend headphones!
In this film, I am credited as the sound mixer and the sound designer. The film emphasizes my ability to create suspense and unease using original sounds and ideas needed to develop any horror film. I enjoyed connecting my sound design to the style of the film the most.
Marrow
Film
Papa Piñata
Film
I am credited as the sound mixer, boom operator, and sound designer for this film. The film highlights my ability to complete all forms of sound design and recording: from on set mixing, to foley, and to dolby atmos surround sound mixing.
We're Alive: Descendants
Audio Drama
In this published audio drama, I am credited for work on Season 2, Episode 18 (released October 2025). My contributions included sound design and sound effects for a 15-minute sequence consisting of a car moving through a wooded area and a hill, monsters surrounding the car, and slow-motion gunfire.
Other Work
“Last Moments of Light” 2024
“Judgement Day” 2024
“Study Break” 2024
“Threshold” 2025
“Ofelia Salieri” 2025
“Interview” 2025
“Praise be to God” 2026
“Deferred” 2026
"Pan Dulce" 2026
and many more!